Young Frankenstein (1974)

Director: Mel Brooks

Mel Brooks himself has characterised this as not his funniest film (he considers that to be Blazing Saddles with The Producers not far behind) but the one that was best written and best made. On re-examination after a lot of years (hadn’t seen this since I was in high school, probably around 1988 or 89), that strikes me as an astute and accurate observation. Having had a megahit with Blazing Saddles, another classic Hollywood genre parody/homage must’ve seemed in order, and his star Gene Wilder came up with the very thing while they were still making that film: an update of Frankenstein where the good doctor’s descendant is appalled by his ancestor’s antics but finds himself drawn into carrying on the old boy’s work. This could, obviously, have been played straight, it’s a decent pulp horror plot, but this is Mel Brooks we’re talking about…

Of course, the most striking thing about the film was that he insisted on shooting in black and white, which was a sticking point for the Hollywood studios who didn’t do that any more by 1974 (it was kind of like Chaplin making Modern Times a silent film in 1936); but he was right to insist on it, cos Young Frankenstein is one of the most beautiful black and white films I’ve ever seen. Outstanding photography of incredible sets (enhanced marvellously by the original lab gear from the 1931 Frankenstein). And yet I think Brooks is right in calling it not his funniest film, cos as well-made as it is, it’s not as continuously laugh out loud as Blazing Saddles was. It’s hugely clever, but it turns more on the strength of Wilder’s performance in particular than anything else. And that’s fine, of course; if it’s not as funny (nor as generally good) as its immediate predecessor, it’s still greatly entertaining, there’s a lot of affection for the genre (and specific films) it’s satirising, and in an age when so few filmmakers manage even one film per year, it’s kind of amazing to look back and see one not only putting out two films in one year, with both of them also among his best work.

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