Why Don’t You Play in Hell? (2013)

Director: Shion Sono

I haven’t seen a film this ludicrous in I don’t know how long, and for the most part I do mean that in a good way. Don’t know that much about Shion Sono, but a two-hour film seemed like an easier way in than a four-hour one like Love Exposure (which I’ve had for years but never found time to watch), so I went here. Surprisingly complicated to sum up, but broadly I suppose you could call it a yakuza film about filmmaking. It starts out more or less as the story of a young group of guerilla filmmakers who call themselves the Fuck Bombers, shooting on 8mm and always dreaming of the day when the god of cinema will look kindly on them and send a big break their way. Fast forward 10 years, though, and they’re still dreaming… But then we start focusing more on the yakuza, with two gangs about to go ballistic, and with one of the gang leaders more preoccupied with making a film starring his daughter. Suddenly the Fuck Bombers are about to have a 35mm massacre to shoot…

That just summarises events without really describing how they actually play out; narratively it’s quite dense stuff that takes some time and effort to untangle, and I’ve said nothing about the advertising jingle that recurs throughout cos, frankly, I don’t know how to describe it. As I said, there’s something ludicrous about the entire thing, and the film knows it; basically it’s an extremely warped comedy that’s fairly self-aware and plays for its laughs accordingly, with digital “blood” in the climactic carnage whose deliberate blatantness is kind of magnificent, and a riotous clash of acting styles. I can actually kind of envisage Jean-Luc Godard making a film like this 50 years earlier, though somehow I can’t imagine it being as much fun as this. Or as batshit.

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