Director: John Landis
So that’s one of the more substantial holes in my acquaintance with horror cinema filled at last… I can’t think of any good reason why AAWiL has eluded me until tonight, cos it’s not like it’s an obscure thing; I’ve always known about it, it’s one of the more famous horrors of the early 80s, it’s never been exactly hard to get, I’ve recorded the fucking thing off SBS twice… but no, until tonight, it was just one of those films I’d never got around to seeing for no real reason. My loss, cos it’s an awful lot of fun. At heart there’s actually something kind of old-fashioned about the story, and I don’t think that’s just because Landis wrote it over a decade before he actually filmed it, I think it might’ve seemed that way had he made it in 1971 rather than 1981… there are a few explicit references to the 1941 Wolf Man, so the film does kind of overtly look back to the Universal films. It’s things like the somewhat bizarre sense of humour (like that Muppet Show excerpt) and the surprising amount of time star David Naughton spends naked (the film’s IMDB trivia page has a delightful detail about why Landis had to be careful about getting Naughton’s tackle in shot) that mark it out as something more modern, but I think it’s the film’s focus on character that’s most notable; I was actually surprised by how comparatively minimal the werewolf action is… it’s nearly an hour before we get to the groundbreaking transformation scene (still pretty stunning), and though the climactic havoc at Piccadilly Circus is terrifically pulled off, it’s also relatively brief. The time spent building the characters up, though, is well spent; Naughton is great as this sort of everyman guy in a pretty fucked situation, which is worse than usual cos Landis adds a neat twist whereby Naughton has to face the spirits of the people he killed on his first rampage and listen to them debate about how he should kill himself (cos his death is the only thing that will let them rest in peace). It’s almost like the werewolf isn’t a tragic enough figure as it is. Great stuff that I really should’ve seen years ago.