This is a list of whatever titles are in whatever the current edition of 1001 Movies You Must See Before You Die (I use ICheckMovies as a guide). Bolded titles are ones I’ve seen, italicised titles are ones I haven’t seen but do have a copy of, and the ones I’ve reviewed here should be obvious; I envisage most of those unlinked bolded titles will eventually have reviews attached (though there are many I frankly have no desire to ever revisit). In the meantime, you may derive some amusement or astonishment or, well, no emotion whatsoever by contemplating the films I obviously haven’t seen…
- A Trip to the Moon (1902, Georges Méliès)
- The Great Train Robbery (1903, Edwin S. Porter)
- The Birth of a Nation (1915, D.W. Griffith)
- Les vampires (1915, Louis Feuillade)
- Intolerance (1916, D.W. Griffith)
- Broken Blossoms (1919, D.W. Griffith)
- Within Our Gates (1920, Oscar Micheaux)
- The Cabinet of Dr Caligari (1920, Robert Wiene)
- The Phantom Carriage (1921, Victor Sjöström)
- Orphans of the Storm (1921, D.W. Griffith)
- Foolish Wives (1922, Erich von Stroheim)
- Nosferatu (1922, F.W. Murnau)
- Dr Mabuse (1922, Fritz Lang)
- Nanook of the North (1922, Robert Flaherty)
- Häxan (1922, Benjamin Christensen)
- La roue (1923, Abel Gance)
- The Smiling Madame Beudet (1923, Germaine Dulac)
- Our Hospitality (1923, John Blystone & Buster Keaton)
- The Thief of Bagdad (1924, Raoul Walsh)
- Sherlock Jr (1924, Buster Keaton)
- The Great White Silence (1924, Herbert Ponting)
- Greed (1924, Erich von Stroheim)
- The Last Laugh (1924, F.W. Murnau)
- Strike (1925, Sergei Eisenstein)
- The Gold Rush (1925, Charles Chaplin)
- The Phantom of the Opera (1925, Rupert Julian)
- The Big Parade (1925, King Vidor)
- The Eagle (1925, Clarence Brown)
- Battleship Potemkin (1925, Sergei Eisenstein)
- The Adventures of Prince Achmed (1926, Lotte Reiniger)
- The General (1926, Clyde Bruckman & Buster Keaton)
- Metropolis (1927, Fritz Lang)
- The Kid Brother (1927, Ted Wilde [et al.])
- Napoleon (1927, Abel Gance)
- The Unknown (1927, Tod Browning)
- Sunrise (1927, F.W. Murnau)
- The Jazz Singer (1927, Alan Crosland)
- October (1928, Sergei Eisenstein)
- The Crowd (1928, King Vidor)
- The Passion of Joan of Arc (1928, Carl Th. Dreyer)
- Steamboat Bill Jr (1928, Buster Keaton & Charles Riesner)
- The Docks of New York (1928, Josef von Sternberg)
- Storm Over Asia (1928, Vsevolod Pudovkin)
- The Man With the Movie Camera (1929, Dziga Vertov)
- Pandora’s Box (1929, G.W. Pabst)
- Un chien andalou (1929, Luis Bunuel & Salvador Dali)
- Blackmail (1929, Alfred Hitchcock)
- A Throw of Dice (1929, Franz Osten)
- Earth (1930, Alexander Dovzhenko)
- All Quiet on the Western Front (1930, Lewis Milestone)
- L’ age d’or (1930, Luis Bunuel)
- The Blue Angel (1930, Josef von Sternberg)
- Little Caesar (1931, Mervyn LeRoy)
- City Lights (1931, Charles Chaplin)
- Dracula (1931, Tod Browning)
- The Public Enemy (1931, William Wellman)
- M (1931, Fritz Lang)
- Limite (1931, Mario Peixoto)
- Tabu (1931, F.W. Murnau)
- Frankenstein (1931, James Whale)
- A nous la liberté (1931, René Clair)
- Shanghai Express (1932, Josef von Sternberg)
- Freaks (1932, Tod Browning)
- Scarface (1932, Howard Hawks)
- Vampyr (1932, Carl Th. Dreyer)
- Love Me Tonight (1932, Rouben Mamoulian)
- Trouble in Paradise (1932, Ernst Lubitsch)
- Boudu Saved from Drowning (1932, Jean Renoir)
- I am a Fugitive From a Chain Gang (1932, Mervyn LeRoy)
- The Bitter Tea of General Yen (1933, Frank Capra)
- She Done Him Wrong (1933, Lowell Sherman)
- King Kong (1933, Merian C. Cooper & Ernest B. Schoedsack)
- 42nd Street (1933, Lloyd Bacon)
- Zéro de conduite (1933, Jean Vigo)
- Gold Diggers of 1933 (1933, Mervyn LeRoy)
- Footlight Parade (1933, Lloyd Bacon)
- Duck Soup (1933, Leo McCarey)
- Queen Christina (1933, Rouben Mamoulian)
- Sons of the Desert (1933, William A. Seiter)
- Las Hurdes (1933, Luis Bunuel)
- It Happened One Night (1934, Frank Capra)
- L’ Atalante (1934, Jean Vigo)
- The Black Cat (1934, Edgar G. Ulmer)
- The Thin Man (1934, W.S. van Dyke)
- It’s a Gift (1934, Norman Z. McLeod)
- The Goddess (1934, Wu Yonggang)
- Triumph of the Will (1935, Leni Riefenstahl)
- Bride of Frankenstein (1935, James Whale)
- The 39 Steps (1935, Alfred Hitchcock)
- Top Hat (1935, Mark Sandrich)
- Peter Ibbetson (1935, Henry Hathaway)
- Mutiny on the Bounty (1935, Frank Lloyd)
- A Night at the Opera (1935, Sam Wood)
- Captain Blood (1935, Michael Curtiz)
- Modern Times (1936, Charles Chaplin)
- Things to Come (1936, William Cameron Menzies)
- Mr Deeds Goes to Town (1936, Frank Capra)
- Swing Time (1936, George Stevens)
- My Man Godfrey (1936, Gregory La Cava)
- Dodsworth (1936, William Wyler)
- The Story of a Cheat (1936, Sacha Guitry)
- Camille (1936, George Cukor)
- Partie de campagne (1936, Jean Renoir)
- Pépé le Moko (1937, Julien Duvivier)
- Make Way For Tomorrow (1937, Leo McCarey)
- Captains Courageous (1937, Victor Fleming)
- La grande illusion (1937, Jean Renoir)
- Stella Dallas (1937, King Vidor)
- The Life of Emile Zola (1937, William Dieterle)
- The Awful Truth (1937, Leo McCarey)
- Snow White and the Seven Dwarfs (1937, David Hand)
- Song at Midnight (1937, Ma-Xu Weibang)
- Bringing Up Baby (1938, Howard Hawks)
- Jezebel (1938, William Wyler)
- Olympia (1938, Leni Riefenstahl)
- The Adventures of Robin Hood (1938, Michael Curtiz & William Keighley) [DVD]
- The Baker’s Wife (1938, Marcel Pagnol)
- The Lady Vanishes (1938, Alfred Hitchcock)
- Angels With Dirty Faces (1938, Michael Curtiz)
- Gunga Din (1939, George Stevens)
- Stagecoach (1939, John Ford)
- Wuthering Heights (1939, William Wyler)
- Only Angels Have Wings (1939, Howard Hawks)
- Le jour se lève (1939, Marcel Carné)
- The Rules of the Game (1939, Jean Renoir)
- The Wizard of Oz (1939, Victor Fleming [et al])
- Ninotchka (1939, Ernst Lubitsch)
- The Story of the Last Chrysanthemums (1939, Kenji Mizoguchi)
- Mr Smith Goes to Washington (1939, Frank Capra)
- Destry Rides Again (1939, George Marshall)
- Gone With the Wind (1939, Victor Fleming [et al])
- His Girl Friday (1940, Howard Hawks)
- The Grapes of Wrath (1940, John Ford)
- Pinocchio (1940, Hamilton Luske & Ben Sharpsteen)
- Rebecca (1940, Alfred Hitchcock)
- The Mortal Storm (1940, Frank Borzage)
- Fantasia (1940, Ben Sharpsteen)
- The Bank Dick (1940, Edward Cline)
- The Philadelphia Story (1940, George Cukor)
- High Sierra (1941, Raoul Walsh)
- The Lady Eve (1941, Preston Sturges)
- Citizen Kane (1941, Orson Welles)
- Sergeant York (1941, Howard Hawks)
- The Maltese Falcon (1941, John Huston)
- Dumbo (1941, Ben Sharpsteen)
- How Green Was My Valley (1941, John Ford)
- The Wolf Man (1941, George Waggner)
- Sullivan’s Travels (1941, Preston Sturges)
- To Be or Not to Be (1942, Ernst Lubitsch)
- Yankee Doodle Dandy (1942, Michael Curtiz)
- Mrs Miniver (1942, William Wyler)
- The Magnificent Ambersons (1942, Orson Welles)
- Now Voyager (1942, Irving Rapper)
- The Palm Beach Story (1942, Preston Sturges)
- Casablanca (1942, Michael Curtiz)
- Cat People (1942, Jacques Tourneur)
- Shadow of a Doubt (1943, Alfred Hitchcock)
- Fires Were Started (1943, Humphrey Jennings)
- The Ox-Bow Incident (1943, William Wellman)
- Ossessione (1943, Luchino Visconti)
- The Life and Death of Colonel Blimp (1943, Michael Powell & Emeric Pressburger)
- The Man in Grey (1943, Leslie Arliss)
- The Seventh Victim (1943, Mark Robson)
- Meshes of the Afternoon (1943, Maya Deren)
- Double Indemnity (1944, Billy Wilder)
- Gaslight (1944, George Cukor)
- Laura (1944, Otto Preminger)
- To Have and Have Not (1944, Howard Hawks)
- Meet Me in St Louis (1944, Vincente Minnelli)
- Henry V (1944, Laurence Olivier)
- Murder, My Sweet (1944, Edward Dmytryk)
- Ivan the Terrible
Part 1 (1944, Sergei Eisenstein)
Part 2 (1946, Sergei Eisenstein) - Les enfants du paradis (1945, Marcel Carné)
- The Battle of San Pietro (1945, John Huston)
- Mildred Pierce (1945, Michael Curtiz)
- Rome, Open City (1945, Roberto Rossellini)
- I Know Where I’m Going! (1945, Michael Powell & Emeric Pressburger)
- Detour (1945, Edgar G. Ulmer)
- The Lost Weekend (1945, Billy Wilder)
- Brief Encounter (1945, David Lean)
- Gilda (1946, Charles Vidor)
- The Postman Always Rings Twice (1946, Tay Garnett)
- Notorious (1946, Alfred Hitchcock)
- The Big Sleep (1946, Howard Hawks)
- The Killers (1946, Robert Siodmak)
- La belle et la bete (1946, Jean Cocteau)
- A Matter of Life and Death (1946, Michael Powell & Emeric Pressburger)
- The Best Years of Our Lives (1946, William Wyler)
- My Darling Clementine (1946, John Ford)
- Paisa (1946, Roberto Rossellini)
- It’s a Wonderful Life (1946, Frank Capra)
- Great Expectations (1946, David Lean)
- Odd Man Out (1947, Carol Reed)
- Monsieur Verdoux (1947, Charles Chaplin)
- Black Narcissus (1947, Michael Powell & Emeric Pressburger)
- Out of the Past (1947, Jacques Tourneur)
- The Lady From Shanghai (1947, Orson Welles)
- Secret Beyond the Door… (1947, Fritz Lang)
- The Treasure of the Sierra Madre (1948, John Huston)
- Letter From an Unknown Woman (1948, Max Ophüls)
- Rope (1948, Alfred Hitchcock)
- Red River (1948, Howard Hawks)
- The Red Shoes (1948, Michael Powell & Emeric Pressburger)
- Louisiana Story (1948, Robert Flaherty)
- The Snake Pit (1948, Anatole Litvak)
- The Bicycle Thief (1948, Vittorio de Sica)
- The Paleface (1948, Norman Z. McLeod)
- Force of Evil (1948, Abraham Polonsky)
- Spring in a Small Town (1948, Fei Mu)
- Whisky Galore (1949, Alexander Mackendrick)
- Kind Hearts and Coronets (1949, Robert Hamer)
- The Third Man (1949, Carol Reed)
- White Heat (1949, Raoul Walsh)
- The Heiress (1949, William Wyler)
- The Reckless Moment (1949, Max Ophüls)
- Adam’s Rib (1949, George Cukor)
- On the Town (1949, Stanley Donen & Gene Kelly)
- Gun Crazy (1950, Joseph H. Lewis)
- Orpheus (1950, Jean Cocteau)
- In a Lonely Place (1950, Nicholas Ray)
- The Asphalt Jungle (1950, John Huston)
- Winchester ’73 (1950, Anthony Mann)
- Sunset Boulevard (1950, Billy Wilder)
- Rashomon (1950, Akira Kurosawa)
- All About Eve (1950, Joseph L. Mankiewicz)
- Los olvidados (1950, Luis Bunuel)
- Rio Grande (1950, John Ford)
- Diary of a Country Priest (1951, Robert Bresson)
- Pandora and the Flying Dutchman (1951, Albert Lewin)
- The Day the Earth Stood Still (1951, Robert Wise)
- Ace in the Hole (1951, Billy Wilder)
- The Lavender Hill Mob (1951, Charles Crichton)
- Strangers on a Train (1951, Alfred Hitchcock)
- A Place in the Sun (1951, George Stevens)
- An American in Paris (1951, Vincente Minnelli)
- A Streetcar Named Desire (1951, Elia Kazan)
- The African Queen (1951, John Huston)
- Umberto D. (1952, Vittorio de Sica)
- Singin’ in the Rain (1952, Stanley Donen & Gene Kelly)
- Jeux interdits (1952, René Clément)
- The Quiet Man (1952, John Ford)
- High Noon (1952, Fred Zinnemann)
- Europa 51 (1952, Roberto Rossellini)
- Ikiru (1952, Akira Kurosawa)
- The Golden Coach (1952, Jean Renoir)
- The Bad and the Beautiful (1952, Vincente Minnelli)
- The Naked Spur (1953, Anthony Mann)
- Summer with Monika (1953, Ingmar Bergman)
- M. Hulot’s Holiday (1953, Jacques Tati)
- Ugetsu monogatari (1953, Kenji Mizoguchi)
- The Wages of Fear (1953, Henri-Georges Clouzot)
- Shane (1953, George Stevens)
- Pickup on South Street (1953, Samuel Fuller)
- Gentlemen Prefer Blondes (1953, Howard Hawks)
- The Band Wagon (1953, Vincente Minnelli)
- From Here to Eternity (1953, Fred Zinnemann)
- Roman Holiday (1953, William Wyler)
- Madame de… (1953, Max Ophüls)
- The Big Heat (1953, Fritz Lang)
- Tokyo Story (1953, Yasujiro Ozu)
- The Bigamist (1953, Ida Lupino)
- Salt of the Earth (1954, Herbert J. Biberman)
- Sansho the Bailiff (1954, Kenji Mizoguchi)
- Seven Samurai (1954, Akira Kurosawa)
- Johnny Guitar (1954, Nicholas Ray)
- On the Waterfront (1954, Elia Kazan)
- Silver Lode (1954, Allan Dwan)
- Rear Window (1954, Alfred Hitchcock)
- Senso (1954, Luchino Visconti)
- La strada (1954, Federico Fellini)
- Viaggio in Italia (1954, Roberto Rossellini)
- The Barefoot Contessa (1954, Joseph L. Mankiewicz)
- A Star is Born (1954, George Cukor)
- Carmen Jones (1954, Otto Preminger)
- Bad Day at Black Rock (1955, John Sturges)
- Ordet (1955, Carl Th. Dreyer)
- Les diaboliques (1955, Henri-Georges Clouzot)
- Marty (1955, Delbert Mann)
- Kiss Me Deadly (1955, Robert Aldrich)
- Hill 24 Doesn’t Answer (1955, Thorold Dickinson)
- The Phenix City Story (1955, Phil Karlson)
- The Night of the Hunter (1955, Charles Laughton)
- All That Heaven Allows (1955, Douglas Sirk)
- Pather Panchali (1955, Satyajit Ray)
- Oklahoma! (1955, Fred Zinnemann)
- Rebel Without a Cause (1955, Nicholas Ray)
- Guys and Dolls (1955, Joseph L. Mankiewicz)
- Artists and Models (1955, Frank Tashlin)
- The Ladykillers (1955, Alexander Mackendrick)
- The Man with the Golden Arm (1955, Otto Preminger)
- Lola Montes (1955, Max Ophüls)
- Smiles of a Summer Night (1955, Ingmar Bergman)
- Les maitres fous (1955, Jean Rouch)
- Night and Fog (1955, Alain Resnais)
- The Burmese Harp (1956, Kon Ichikawa)
- Invasion of the Body Snatchers (1956, Don Siegel)
- The Searchers (1956, John Ford)
- Forbidden Planet (1956, Fred McLeod Wilcox)
- High Society (1956, Charles Walters)
- Bigger Than Life (1956, Nicholas Ray)
- Bob le flambeur (1956, Jean-Pierre Melville)
- The Ten Commandments (1956, Cecil B. DeMille)
- Giant (1956, George Stevens)
- Aparajito (1956, Satyajit Ray)
- A Man Escaped (1956, Robert Bresson)
- Written on the Wind (1956, Douglas Sirk)
- The Wrong Man (1956, Alfred Hitchcock)
- Throne of Blood (1957, Akira Kurosawa)
- Mother India (1957, Mehboob Khan)
- The Seventh Seal (1957, Ingmar Bergman)
- The Incredible Shrinking Man (1957, Jack Arnold)
- Nights of Cabiria (1957, Federico Fellini)
- Gunfight at the O.K. Corral (1957, John Sturges)
- Sweet Smell of Success (1957, Alexander Mackendrick)
- An Affair to Remember (1957, Leo McCarey)
- The Bridge on the River Kwai (1957, David Lean)
- 12 Angry Men (1957, Sidney Lumet)
- The Cranes Are Flying (1957, Mikhail Kalatozov)
- Paths of Glory (1957, Stanley Kubrick)
- Wild Strawberries (1957, Ingmar Bergman)
- Touch of Evil (1958, Orson Welles)
- Horror of Dracula (1958, Terence Fisher)
- Vertigo (1958, Alfred Hitchcock)
- Mon oncle (1958, Jacques Tati)
- Gigi (1958, Vincente Minnelli)
- Cairo Station (1958, Youssef Chahine)
- The Defiant Ones (1958, Stanley Kramer)
- Man of the West (1958, Anthony Mann)
- Ashes and Diamonds (1958, Andrzej Wajda)
- The Music Room (1958, Satyajit Ray)
- Some Came Running (1958, Vincente Minnelli)
- Ride Lonesome (1959, Budd Boetticher)
- Rio Bravo (1959, Howard Hawks)
- Some Like It Hot (1959, Billy Wilder)
- The World of Apu (1959, Satyajit Ray)
- The 400 Blows (1959, François Truffaut)
- Hiroshima mon amour (1959, Alain Resnais)
- Black Orpheus (1959, Marcel Camus)
- Anatomy of a Murder (1959, Otto Preminger)
- North by Northwest (1959, Alfred Hitchcock)
- Shadows (1959, John Cassavetes)
- Floating Weeds (1959, Yasujiro Ozu)
- Ben-Hur (1959, William Wyler)
- Pickpocket (1959, Robert Bresson)
- Eyes Without a Face (1960, Georges Franju)
- La dolce vita (1960, Federico Fellini)
- Breathless (1960, Jean-Luc Godard)
- Le trou (1960, Jacques Becker)
- Peeping Tom (1960, Michael Powell)
- The Cloud-Capped Star (1960, Ritwik Ghatak)
- L’avventura (1960, Michelangelo Antonioni)
- The Apartment (1960, Billy Wilder)
- Psycho (1960, Alfred Hitchcock)
- Black Sunday (1960, Mario Bava)
- Rocco and His Brothers (1960, Luchino Visconti)
- Spartacus (1960, Stanley Kubrick)
- Tirez sur la pianiste (1960, François Truffaut)
- The Housemaid (1960, Kim Ki-Young)
- Saturday Night and Sunday Morning (1960, Karel Reisz)
- La notte (1961, Michelangelo Antonioni)
- Lola (1961, Jacques Demy)
- Viridiana (1961, Luis Bunuel)
- Last Year at Marienbad (1961, Alain Resnais)
- The Ladies Man (1961, Jerry Lewis)
- The Exiles (1961, Kent MacKenzie)
- The Hustler (1961, Robert Rossen)
- Breakfast at Tiffany’s (1961, Blake Edwards)
- Splendour in the Grass (1961, Elia Kazan)
- Through a Glass Darkly (1961, Ingmar Bergman)
- West Side Story (1961, Jerome Robbins & Robert Wise)
- Chronique d’un été (Paris 1960) (1961, Edgar Morin & Jean Rouch)
- Jules et Jim (1962, François Truffaut)
- La jetée (1962, Chris Marker)
- Mondo Cane (1962, Paolo Cavara, Gualtiero Jacopetti & Franco Prosperi)
- Cleo de 5 a 7 (1962, Agnès Varda)
- L’ eclisse (1962, Michelangelo Antonioni)
- Keeper of Promises (1962, Anselmo Duarte)
- The Man Who Shot Liberty Valance (1962, John Ford)
- The Exterminating Angel (1962, Luis Bunuel)
- Lolita (1962, Stanley Kubrick)
- Vivre sa vie (1962, Jean-Luc Godard)
- The Manchurian Candidate (1962, John Frankenheimer)
- What Ever Happened to Baby Jane? (1962, Robert Aldrich)
- An Autumn Afternoon (1962, Yasujiro Ozu)
- Lawrence of Arabia (1962, David Lean)
- To Kill a Mockingbird (1962, Robert Mulligan)
- Dog Star Man (1962-64, Stan Brakhage)
- Heaven and Earth Magic (1962, Harry Smith)
- An Actor’s Revenge (1963, Kon Ichikawa)
- 8½ (1963, Federico Fellini)
- The Birds (1963, Alfred Hitchcock)
- The Leopard (1963, Luchino Visconti)
- Flaming Creatures (1963, Jack Smith)
- Hud (1963, Martin Ritt)
- The Nutty Professor (1963, Jerry Lewis)
- The Great Escape (1963, John Sturges)
- Barren Lives (1963, Nelson Pereira dos Santos)
- Shock Corridor (1963, Samuel Fuller)
- The Haunting (1963, Robert Wise)
- Passenger (1963, Andrzej Munk)
- The Servant (1963, Joseph Losey)
- Contempt (1963, Jean-Luc Godard)
- Blonde Cobra (1963, Ken Jacobs)
- The House is Black (1963, Forugh Farrokhzad)
- Méditerranée (1963, Jean-Daniel Pollet)
- Scorpio Rising (1963, Kenneth Anger)
- Dr Strangelove (1964, Stanley Kubrick)
- Woman in the Dunes (1964, Hiroshi Teshigahara)
- The Umbrellas of Cherbourg (1964, Jacques Demy)
- The Cool World (1964, Shirley Clarke)
- Before the Revolution (1964, Bernardo Bertolucci)
- The Masque of the Red Death (1964, Roger Corman)
- A Hard Day’s Night (1964, Richard Lester)
- Black God White Devil (1964, Glauber Rocha)
- Marnie (1964, Alfred Hitchcock)
- Mary Poppins (1964, Robert Stevenson)
- Red Desert (1964, Michelangelo Antonioni)
- The Gospel According to St Matthew (1964, Pier Paolo Pasolini)
- Goldfinger (1964, Guy Hamilton)
- My Fair Lady (1964, George Cukor)
- Onibaba (1964, Kaneto Shindo)
- Gertrud (1964, Carl Th. Dreyer)
- The Saragossa Manuscript (1965, Wojciech Has)
- The Sound of Music (1965, Robert Wise)
- Alphaville (1965, Jean-Luc Godard)
- Repulsion (1965, Roman Polanski)
- Vinyl (1965, Andy Warhol)
- Faster Pussycat! Kill! Kill! (1965, Russ Meyer)
- Pierrot le fou (1965, Jean-Luc Godard)
- Shadows of Forgotten Ancestors (1965, Sergei Paradjanov)
- Tokyo Olympiad (1965, Kon Ichikawa)
- The Golden Thread (1965, Ritwik Ghatak)
- The Shop on Main Street (1965, Jan Kadar & Elmar Klos)
- Chimes at Midnight (1965, Orson Welles)
- Juliet of the Spirits (1965, Federico Fellini)
- The War Game (1965, Peter Watkins)
- Doctor Zhivago (1965, David Lean)
- Masculin-féminin (1966, Jean-Luc Godard)
- Come Drink With Me (1966, King Hu)
- Au hasard Balthasar (1966, Robert Bresson)
- Who’s Afraid of Virginia Woolf? (1966, Mike Nichols)
- The Battle of Algiers (1966, Gillo Pontecorvo)
- The Man Who Had His Hair Cut Short (1966, André Delvaux)
- Seconds (1966, John Frankenheimer)
- Persona (1966, Ingmar Bergman)
- Closely Watched Trains (1966, Jiri Menzel)
- Blow-Up (1966, Michelangelo Antonioni)
- The Good, the Bad and the Ugly (1966, Sergio Leone)
- Daisies (1966, Vera Chytilova)
- Andrei Rublev (1966, Andrei Tarkovsky)
- Hold Me While I’m Naked (1966, George Kuchar)
- The Young Girls of Rochefort (1967, Jacques Demy & Agnès Varda)
- Two or Three Things I Know About Her (1967, Jean-Luc Godard)
- Terra em transe (1967, Glauber Rocha)
- Belle de jour (1967, Luis Bunuel)
- In the Heat of the Night (1967, Norman Jewison)
- Bonnie and Clyde (1967, Arthur Penn)
- Point Blank (1967, John Boorman)
- The Jungle Book (1967, Wolfgang Reitherman)
- Le samourai (1967, Jean-Pierre Melville)
- Cool Hand Luke (1967, Stuart Rosenberg)
- Marketa Lazarova (1967, Frantisek Vlacil)
- Viy (1967, Georgi Kropachyov & Konstantin Yershov)
- The Firemen’s Ball (1967, Milos Forman)
- Playtime (1967, Jacques Tati)
- The Graduate (1967, Mike Nichols)
- Weekend (1967, Jean-Luc Godard)
- The Red and the White (1967, Miklos Jancso)
- David Holzman’s Diary (1967, Jim McBride)
- Report (1967, Bruce Conner)
- Wavelength (1967, Michael Snow)
- Planet of the Apes (1968, Franklin J. Schaffner)
- Hour of the Wolf (1968, Ingmar Bergman)
- The Producers (1968, Mel Brooks)
- 2001: A Space Odyssey (1968, Stanley Kubrick)
- High School (1968, Frederick Wiseman)
- Rosemary’s Baby (1968, Roman Polanski)
- Targets (1968, Peter Bogdanovich)
- Memories of Underdevelopment (1968, Tomas Gutierrez Alea)
- The Colour of Pomegranates (1968, Sergei Paradjanov)
- Shame (1968, Ingmar Bergman)
- Faces (1968, John Cassavetes)
- Night of the Living Dead (1968, George Romero)
- In the Year of the Pig (1968, Emile de Antonio)
- Lucia (1968, Humberto Solas)
- if… (1968, Lindsay Anderson)
- Once Upon a Time in the West (1968, Sergio Leone)
- Z (1969, Costa-Gavras)
- Easy Rider (1969, Dennis Hopper)
- My Night at Maud’s (1969, Eric Rohmer)
- Midnight Cowboy (1969, John Schlesinger)
- The Wild Bunch (1969, Sam Peckinpah)
- Satyricon (1969, Federico Fellini)
- The Sorrow and the Pity (1969, Marcel Ophüls)
- Butch Cassidy and the Sundance Kid (1969, George Roy Hill)
- Kes (1969, Ken Loach)
- The Cow (1969, Daryush Mehrjui)
- MASH (1970, Robert Altman)
- Patton (1970, Franklin J. Schaffner)
- Zabriskie Point (1970, Michelangelo Antonioni)
- The Bird With the Crystal Plumage (1970, Dario Argento)
- Le boucher (1970, Claude Chabrol)
- Woodstock: 3 Days of Peace and Music (1970, Michael Wadleigh)
- Tristana (1970, Luis Bunuel)
- The Conformist (1970, Bernardo Bertolucci)
- Performance (1970, Donald Cammell & Nicolas Roeg)
- The Spider’s Strategem (1970, Bernardo Bertolucci)
- Deep End (1970, Jerzy Skolimowski)
- Five Easy Pieces (1970, Bob Rafelson)
- Wanda (1970, Barbara Loden)
- The Garden of the Finzi-Continis (1970, Vittorio de Sica)
- Gimme Shelter (1970, Albert Maysles, David Maysles & Charlotte Zwerin)
- Little Big Man (1970, Arthur Penn)
- El topo (1970, Alejandro Jodorowsky)
- The Ear (1970, Karel Kachyna)
- Get Carter (1971, Ted Hodges)
- Sweet Sweetback’s Baadasssss Song (1971, Melvin van Peebles)
- Murmur of the Heart (1971, Louis Malle)
- W.R – Mysteries of the Organism (1971, Dusan Makavejev)
- Wake in Fright (1971, Ted Kotcheff)
- Walkabout (1971, Nicolas Roeg)
- Klute (1971, Alan J. Pakula)
- McCabe and Mrs Miller (1971, Robert Altman)
- Shaft (1971, Gordon Parks)
- Willy Wonka & the Chocolate Factory (1971, Mel Stuart)
- Two-Lane Blacktop (1971, Monte Hellman)
- The Devils (1971, Ken Russell)
- The Hired Hand (1971, Peter Fonda)
- The Last Picture Show (1971, Peter Bogdanovich)
- The French Connection (1971, William Friedkin)
- Straw Dogs (1971, Sam Peckinpah)
- A Touch of Zen (1971, King Hu)
- A Clockwork Orange (1971, Stanley Kubrick)
- Harold and Maude (1971, Hal Ashby)
- Dirty Harry (1971, Don Siegel)
- Cabaret (1972, Bob Fosse)
- Red Psalm (1972, Miklos Jancso)
- The Godfather (1972, Francis Ford Coppola)
- Pink Flamingos (1972, John Waters)
- Solaris (1972, Andrei Tarkovsky)
- Frenzy (1972, Alfred Hitchock)
- The Bitter Tears of Petra von Kant (1972, Rainer Werner Fassbinder)
- Fat City (1972, John Huston)
- Deliverance (1972, John Boorman)
- Super Fly (1972, Gordon Parks Jr)
- The Discreet Charm of the Bourgeoisie (1972, Luis Bunuel)
- Last Tango in Paris (1972, Bernardo Bertolucci)
- Sleuth (1972, Joseph L. Mankiewicz)
- The Heartbreak Kid (1972, Elaine May)
- Cries and Whispers (1972, Ingmar Bergman)
- Aguirre, Wrath of God (1972, Werner Herzog)
- The Harder They Come (1972, Perry Henzell)
- Turkish Delight (1973, Paul Verhoeven)
- The Long Goodbye (1973, Robert Altman)
- High Plains Drifter (1973, Clint Eastwood)
- Day for Night (1973, François Truffaut)
- Pat Garrett & Billy the Kid (1973, Sam Peckinpah)
- The Mother and the Whore (1973, Jean Eustache)
- The Fantastic Planet (1973, René Laloux)
- Enter the Dragon (1973, Robert Clouse)
- American Graffiti (1973, George Lucas)
- F for Fake (1973, Orson Welles)
- Mean Streets (1973, Martin Scorsese)
- Badlands (1973, Terrence Malick)
- The Spirit of the Beehive (1973, Victor Erice)
- Serpico (1973, Sidney Lumet)
- Don’t Look Now (1973, Nicolas Roeg)
- Amarcord (1973, Federico Fellini)
- Papillon (1973, Franklin J. Schaffner)
- Sleeper (1973, Woody Allen)
- The Sting (1973, George Roy Hill)
- The Exorcist (1973, William Friedkin)
- The Wicker Man (1973, Robin Hardy)
- Blazing Saddles (1974, Mel Brooks)
- Ali: Fear Eats the Soul (1974, Rainer Werner Fassbinder)
- Monty Python and the Holy Grail (1974, Terry Gilliam & Terry Jones)
- The Conversation (1974, Francis Ford Coppola)
- Chinatown (1974, Roman Polanski)
- The Godfather Part II (1974, Francis Ford Coppola)
- Bring Me the Head of Alfredo Garcia (1974, Sam Peckinpah)
- A Woman Under the Influence (1974, John Cassavetes)
- Celine and Julie Go Boating (1974, Jacques Rivette)
- The Texas Chain Saw Massacre (1974, Tobe Hooper)
- The Towering Inferno (1974, John Guillermin)
- Young Frankenstein (1974, Mel Brooks)
- Deewaar (1975, Yash Chopra)
- The Mirror (1975, Andrei Tarkovsky)
- Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (1975, Chantal Akerman)
- Fox and His Friends (1975, Rainer Werner Fassbinder)
- India Song (1975, Marguerite Duras)
- Nashville (1975, Robert Altman)
- Jaws (1975, Steven Spielberg)
- Manila: In the Claws of Neon (1975, Lino Brocka)
- The Travelling Players (1975, Theo Angelopoulos)
- Dersu Uzala (1975, Akira Kurosawa)
- Picnic at Hanging Rock (1975, Peter Weir)
- The Rocky Horror Picture Show (1975, Jim Sharman)
- Dog Day Afternoon (1975, Sidney Lumet)
- One Flew Over the Cuckoo’s Nest (1975, Milos Forman)
- Salo (1975, Pier Paolo Pasolini)
- Barry Lyndon (1975, Stanley Kubrick)
- Cria cuervos (1976, Carlos Saura)
- Taxi Driver (1976, Martin Scorsese)
- The Killing of a Chinese Bookie (1976, John Cassavetes)
- The Man Who Fell to Earth (1976, Nicolas Roeg)
- All the President’s Men (1976, Alan J. Pakula)
- In the Realm of the Senses (1976, Nagisa Oshima)
- The Outlaw Josey Wales (1976, Clint Eastwood)
- Carrie (1976, Brian de Palma)
- Network (1976, Sidney Lumet)
- Rocky (1976, John G. Avildsen)
- Stroszek (1977, Werner Herzog)
- Suspiria (1977, Dario Argento)
- Man of Marble (1977, Andrzej Wajda)
- Eraserhead (1977, David Lynch)
- The Ascent (1977, Larisa Shepitko)
- Annie Hall (1977, Woody Allen)
- Star Wars (1977, George Lucas)
- The American Friend (1977, Wim Wenders)
- Ceddo (1977, Ousmane Sembène)
- The Hills Have Eyes (1977, Wes Craven)
- Soldier of Orange (1977, Paul Verhoeven)
- Sleeping Dogs (1977, Roger Donaldson)
- The Last Wave (1977, Peter Weir)
- Close Encounters of the Third Kind (1977, Steven Spielberg)
- Saturday Night Fever (1977, John Badham)
- Killer of Sheep (1977, Charles Burnett)
- Last Chants For a Slow Dance (1977, Jon Jost)
- The 36th Chamber of Shaolin (1978, Lau Kar-Leung)
- The Tree of Wooden Clogs (1978, Ermanno Olmi)
- Grease (1978, Randal Kleiser)
- The Chant of Jimmie Blacksmith (1978, Fred Schepisi)
- Dawn of the Dead (1978, George Romero)
- Days of Heaven (1978, Terrence Malick)
- Up in Smoke (1978, Lou Adler & Tommy Chong)
- Halloween (1978, John Carpenter)
- The Deer Hunter (1978, Michael Cimino)
- Nosferatu (1979, Werner Herzog)
- The Marriage of Maria Braun (1979, Rainer Werner Fassbinder)
- Christ Stopped at Eboli (1979, Francesco Rosi)
- Real Life (1979, Albert Brooks)
- Mad Max (1979, George Miller)
- Manhattan (1979, Woody Allen)
- The Tin Drum (1979, Volker Schlöndorff)
- Apocalypse Now (1979, Francis Ford Coppola)
- Alien (1979, Ridley Scott)
- The Muppet Movie (1979, James Frawley)
- Breaking Away (1979, Peter Yates)
- Life of Brian (1979, Terry Jones)
- My Brilliant Career (1979, Gillian Armstrong)
- Stalker (1979, Andrei Tarkovsky)
- The Jerk (1979, Carl Reiner)
- Being There (1979, Hal Ashby)
- Kramer vs Kramer (1979, Robert Benton)
- All that Jazz (1979, Bob Fosse)
- The Empire Strikes Back (1980, Irvin Kershner)
- The Shining (1980, Stanley Kubrick)
- The Big Red One (1980, Samuel Fuller)
- Airplane! (1980, Jim Abrahams, David Zucker & Jerry Zucker)
- Atlantic City (1980, Louis Malle)
- Loulou (1980, Maurice Pialat)
- The Last Metro (1980, François Truffaut)
- Ordinary People (1980, Robert Redford)
- The Elephant Man (1980, David Lynch)
- Raging Bull (1980, Martin Scorsese)
- Diva (1981, Jean-Jacques Beineix)
- Chariots of Fire (1981, Hugh Hudson)
- Man of Iron (1981, Andrzej Wajda)
- Raiders of the Lost Ark (1981, Steven Spielberg)
- Gallipoli (1981, Peter Weir)
- An American Werewolf in London (1981, John Landis)
- Body Heat (1981, Lawrence Kasdan)
- Das Boot (1981, Wolfgang Petersen)
- The Evil Dead (1981, Sam Raimi)
- Reds (1981, Warren Beatty)
- Too Early, Too Late (1982, Danièle Huillet, Jean-Marie Straub)
- A Question of Silence (1982, Marleen Gorris)
- Fitzcarraldo (1982, Werner Herzog)
- Diner (1982, Barry Levinson)
- Koyaanisqatsi (1982, Godfrey Reggio)
- ET the Extra-Terrestrial (1982, Steven Spielberg)
- Yol (1982, Serif Goren, Yilmaz Guney)
- Poltergeist (1982, Tobe Hooper)
- Blade Runner (1982, Ridley Scott)
- The Thing (1982, John Carpenter)
- Fast Times at Ridgemont High (1982, Amy Heckerling)
- Night of the Shooting Stars (1982, Paolo & Vittorio Taviani)
- The Draughtsman’s Contract (1982, Peter Greenaway)
- Gandhi (1982, Richard Attenborough)
- Tootsie (1982, Sydney Pollack)
- Fanny and Alexander (1982, Ingmar Bergman)
- Videodrome (1983, David Cronenberg)
- Local Hero (1983, Bill Forsyth)
- The King of Comedy (1983, Martin Scorsese)
- Sans soleil (1983, Chris Marker)
- The Fourth Man (1983, Paul Verhoeven)
- The Ballad of Narayama (1983, Shohei Imamura)
- L’argent (1983, Robert Bresson)
- Return of the Jedi (1983, Richard Marquand)
- The Big Chill (1983, Lawrence Kasdan)
- El norte (1983, Gregory Nava)
- The Right Stuff (1983, Philip Kaufman)
- A Christmas Story (1983, Bob Clark)
- Terms of Endearment (1983, James L. Brooks)
- Scarface (1983, Brian de Palma)
- Once Upon a Time in America (1984, Sergio Leone)
- This is Spinal Tap (1984, Rob Reiner)
- The Natural (1984, Barry Levinson)
- Paris Texas (1984, Wim Wenders)
- Stranger Than Paradise (1984, Jim Jarmusch)
- Ghostbusters (1984, Ivan Reitman)
- Amadeus (1984, Milos Forman)
- The Terminator (1984, James Cameron)
- The Killing Fields (1984, Roland Joffe)
- A Nightmare on Elm Street (1984, Wes Craven)
- Beverly Hills Cop (1984, Martin Brest)
- A Passage to India (1984, David Lean)
- The Breakfast Club (1985, John Hughes)
- Brazil (1985, Terry Gilliam)
- Shoah (1985, Claude Lanzmann)
- The Purple Rose of Cairo (1985, Woody Allen)
- Kiss of the Spider Woman (1985, Hector Babenco)
- Mishima: a Life in Four Chapters (1985, Paul Schrader)
- Ran (1985, Akira Kurosawa)
- Prizzi’s Honour (1985, John Huston)
- Back to the Future (1985, Robert Zemeckis)
- Come and See (1985, Elem Klimov)
- The Time to Live and the Time to Die (1985, Hou Hsiao-Hsien, Lao Jia-Hua, Yang Lai-Yin & Xu Xiao-Ming)
- The Colour Purple (1985, Steven Spielberg)
- The Quiet Earth (1985, Geoff Murphy)
- Vagabond (1985, Agnès Varda)
- Sherman’s March (1985, Ross McElwee)
- Tampopo (1985, Juzo Itami)
- Out of Africa (1985, Sydney Pollack)
- A Room With a View (1985, James Ivory)
- Hannah and Her Sisters (1986, Woody Allen)
- Salvador (1986, Oliver Stone)
- Caravaggio (1986, Derek Jarman)
- Top Gun (1986, Tony Scott)
- Down By Law (1986, Jim Jarmusch)
- She’s Gotta Have It (1986, Spike Lee)
- Ferris Bueller’s Day Off (1986, John Hughes)
- The Decline of the American Empire (1986, Denys Arcand)
- Aliens (1986, James Cameron)
- Stand By Me (1986, Rob Reiner)
- The Fly (1986, David Cronenberg)
- Manhunter (1986, Michael Mann)
- Blue Velvet (1986, David Lynch)
- Peking Opera Blues (1986, Tsui Hark)
- Children of a Lesser God (1986, Randa Haines)
- Henry: Portrait of a Serial Killer (1986, John McNaughton)
- Platoon (1986, Oliver Stone)
- The Horse Thief (1986, Tian Zhuangzhuang)
- Raising Arizona (1987, Ethan & Joel Coen)
- Withnail & I (1987, Bruce Robinson)
- Wings of Desire (1987, Wim Wenders)
- The Untouchables (1987, Brian de Palma)
- Full Metal Jacket (1987, Stanley Kubrick)
- RoboCop (1987, Paul Verhoeven)
- A Chinese Ghost Story (1987, Ching Siu-Tung)
- Project A Part II (1987, Jackie Chan)
- Babette’s Feast (1987, Gabriel Axel)
- Au revoir les enfants (1987, Louis Malle)
- The Dead (1987, John Huston)
- Fatal Attraction (1987, Adrian Lyne)
- Brightness (1987, Souleymane Cissé)
- The Princess Bride (1987, Rob Reiner)
- Wall Street (1987, Oliver Stone)
- Broadcast News (1987, James L. Brooks)
- Moonstruck (1987, Norman Jewison)
- Good Morning Vietnam (1987, Barry Levinson)
- Red Sorghum (1987, Zhang Yimou)
- Women on the Verge of a Nervous Breakdown (1988, Pedro Almodovar)
- Grave of the Fireflies (1988, Isao Takahata)
- Big (1988, Penny Marshall)
- Bull Durham (1988, Ron Shelton)
- Who Framed Roger Rabbit? (1988, Robert Zemeckis)
- A Fish Called Wanda (1988, Charles Crichton)
- Die Hard (1988, John McTiernan)
- Akira (1988, Katsuhiro Otomo)
- Alice (1988, Jan Svankmajer)
- The Thin Blue Line (1988, Errol Morris)
- The Vanishing (1988, George Sluizer)
- Dead Ringers (1988, David Cronenberg)
- A Tale of the Wind (1988, Joris Ivens & Marceline Loridan)
- Distant Voices, Still Lives (1988, Terence Davies)
- Cinema Paradiso (1988, Giuseppe Tornatore)
- Hotel Terminus (1988, Marcel Ophüls)
- Ariel (1988, Aki Kaurismaki)
- The Naked Gun: From the Files of Police Squad! (1988, David Zucker)
- Rain Man (1988, Barry Levinson)
- Dangerous Liaisons (1988, Stephen Frears)
- Sex Lies & Videotape (1989, Steven Soderbergh)
- My Left Foot (1989, Jim Sheridan)
- Field of Dreams (1989, Phil Alden Robinson)
- The Unbelievable Truth (1989, Hal Hartley)
- Do the Right Thing (1989, Spike Lee)
- Batman (1989, Tim Burton)
- The Killer (1989, John Woo)
- When Harry Met Sally… (1989, Rob Reiner)
- Tongues Untied (1989, Marlon Riggs)
- Roger & Me (1989, Michael Moore)
- A City of Sadness (1989, Hou Hsiao-Hsien)
- Drugstore Cowboy (1989, Gus Van Sant)
- The Cook, the Thief, His Wife and Her Lover (1989, Peter Greenaway)
- Crimes and Misdemeanours (1989, Woody Allen)
- Glory (1989, Edward Zwick)
- Dekalog (1989, Krzysztof Kieslowski)
- The Asthenic Syndrome (1990, Kira Muratova)
- Pretty Woman (1990, Gary Marshall)
- Total Recall (1990, Paul Verhoeven)
- King of New York (1990, Abel Ferrara)
- Archangel (1990, Guy Maddin)
- No Fear, No Die (1990, Claire Denis)
- Trust (1990, Hal Hartley)
- Goodfellas (1990, Martin Scorsese)
- Dances With Wolves (1990, Kevin Costner)
- Europa Europa (1990, Agnieszka Holland)
- Edward Scissorhands (1990, Tim Burton)
- Close-Up (1990, Abbas Kiarostami)
- The Silence of the Lambs (1991, Jonathan Demme)
- Slacker (1991, Richard Linklater)
- Delicatessen (1991, Marc Caro & Jean-Pierre Jeunet)
- The Double Life of Veronique (1991, Krzysztof Kieslowski)
- Thelma & Louise (1991, Ridley Scott)
- La belle noiseuse (1991, Jacques Rivette)
- Hearts of Darkness: a Filmmaker’s Notes (1991, Fax Bahr, Eleanor Coppola, George Hickenlooper)
- Terminator 2: Judgement Day (1991, James Cameron)
- Boyz n the Hood (1991, John Singleton)
- A Brighter Summer Day (1991, Edward Yang)
- The Actress (1991, Stanley Kwan)
- My Own Private Idaho (1991, Gus van Sant)
- Once Upon a Time in China (1991, Tsui Hark)
- The Rapture (1991, Michael Tolkin)
- Raise the Red Lantern (1991, Zhang Yimou)
- JFK (1991, Oliver Stone)
- Reservoir Dogs (1992, Quentin Tarantino)
- A Tale of Winter (1992, Eric Rohmer)
- The Player (1992, Robert Altman)
- Man Bites Dog (1992, Rémy Belvaux, André Bonzel & Benoit Poelvoorde)
- Strictly Ballroom (1992, Baz Luhrmann)
- Unforgiven (1992, Clint Eastwood)
- The Crying Game (1992, Neil Jordan)
- Glengarry Glen Ross (1992, James Foley)
- Romper Stomper (1992, Geoffrey Wright)
- Farewell My Concubine (1993, Chen Kaige)
- Three Colours: Blue (1993, Krzysztof Kieslowski)
- Groundhog Day (1993, Harold Ramis)
- The Wedding Banquet (1993, Ang Lee)
- The Piano (1993, Jane Campion)
- Jurassic Park (1993, Steven Spielberg)
- Short Cuts (1993, Robert Altman)
- The Blue Kite (1993, Tian Zhuangzhuang)
- The Puppet Master (1993, Hou Hsiao-Hsien)
- Thirty-Two Short Films About Glenn Gould (1993, François Girard)
- Dear Diary (1993, Nanni Moretti)
- Schindler’s List (1993, Steven Spielberg)
- Philadelphia (1993, Jonathan Demme)
- The Adventures of Priscilla, Queen of the Desert (1994, Stephan Elliott)
- Clerks (1994, Kevin Smith)
- Hoop Dreams (1994, Steve James)
- Satantango (1994, Bela Tarr)
- Four Weddings and a Funeral (1994, Mike Newell)
- The Last Seduction (1994, John Dahl)
- Three Colors: Red (1994, Krzysztof Kieslowski)
- Pulp Fiction (1994, Quentin Tarantino)
- Through the Olive Trees (1994, Abbas Kiarostami)
- Wild Reeds (1994, André Téchiné)
- The Lion King (1994, Roger Allers & Rob Minkoff)
- Forrest Gump (1994, Robert Zemeckis)
- Natural Born Killers (1994, Oliver Stone)
- Chungking Express (1994, Wong Kar-Wai)
- Heavenly Creatures (1994, Peter Jackson)
- Crumb (1994, Terry Zwigoff)
- The Shawshank Redemption (1994, Frank Darabont)
- Muriel’s Wedding (1994, P.J. Hogan)
- The Kingdom (1994, Lars von Trier)
- Safe (1995, Todd Haynes)
- The Usual Suspects (1995, Bryan Singer)
- Underground (1995, Emir Kusturica)
- Braveheart (1995, Mel Gibson)
- Dead Man (1995, Jim Jarmusch)
- The White Balloon (1995, Jafar Panahi)
- Smoke (1995, Paul Auster & Wayne Wang)
- Clueless (1995, Amy Heckerling)
- Babe (1995, Chris Noonan)
- Cyclo (1995, Tran Anh Hung)
- Se7en (1995, David Fincher)
- Zero Kelvin (1995, Hans Petter Moland)
- Dilwale Dulhania Le Jayenge (1995, Aditya Chopra)
- The Toy Story trilogy
Toy Story (1995, John Lasseter)
Toy Story 2 (1999, Ash Brannon, John Lasseter, Lee Unkrich)
Toy Story 3 (2010, Lee Unkrich) - Heat (1995, Michael Mann)
- Deseret (1995, James Benning)
- Shine (1996, Scott Hicks)
- Trainspotting (1996, Danny Boyle)
- Fargo (1996, Ethan & Joel Coen)
- Secrets & Lies (1996, Mike Leigh)
- Three Lives and Only One Death (1996, Raoul Ruiz)
- Breaking the Waves (1996, Lars von Trier)
- Lone Star (1996, John Sayles)
- Independence Day (1996, Roland Emmerich)
- Gabbeh (1996, Mohsen Makhmalbaf)
- The English Patient (1996, Anthony Minghella)
- Scream (1996, Wes Craven)
- The Ice Storm (1997, Ang Lee)
- Funny Games (1997, Michael Haneke)
- L.A. Confidential (1997, Curtis Hanson)
- The Sweet Hereafter (1997, Atom Egoyan)
- Taste of Cherry (1997, Abbas Kiarostami)
- Hana-Bi (1997, Takeshi Kitano)
- Boogie Nights (1997, Paul Thomas Anderson)
- Titanic (1997, James Cameron)
- Open Your Eyes (1997, Alejandro Amenabar)
- Buffalo ’66 (1998, Vincent Gallo)
- Ring (1998, Hideo Nakata)
- Happiness (1998, Todd Solondz)
- The Celebration (1998, Thomas Vinterberg)
- Saving Private Ryan (1998, Steven Spielberg)
- Run Lola Run (1998, Tom Tykwer)
- Rushmore (1998, Wes Anderson)
- The Thin Red Line (1998, Terrence Malick)
- The Blair Witch Project (1999, Daniel Myrick & Eduardo Sanchez)
- The Matrix (1999, Andy & Larry Wachowski)
- All About My Mother (1999, Pedro Almodovar)
- The Sixth Sense (1999, M. Night Shyamalan)
- Being John Malkovich (1999, Spike Jonze)
- Beau travail (1999, Claire Denis)
- American Beauty (1999, Sam Mendes)
- Fight Club (1999, David Fincher)
- Three Kings (1999, David O. Russell)
- Audition (1999, Takashi Miike)
- Magnolia (1999, Paul Thomas Anderson)
- Gladiator (2000, Ridley Scott)
- Amores perros (2000, Alejandro Gonzalez Inarritu)
- Requiem for a Dream (2000, Darren Aronofsky)
- Yi Yi (2000, Edward Yang)
- Crouching Tiger Hidden Dragon (2000, Ang Lee)
- Kippur (2000, Amos Gitai)
- In the Mood for Love (2000, Wong Kar-Wai)
- The Gleaners and I (2000, Agnès Varda)
- Memento (2000, Christopher Nolan)
- No Man’s Land (2001, Danis Tanovic)
- Spirited Away (2001, Hayao Miyazaki)
- The Lord of the Rings trilogy
The Fellowship of the Ring (2001, Peter Jackson)
The Two Towers (2002, Peter Jackson)
The Return of the King (2003, Peter Jackson) - Talk to Her (2002, Pedro Almodovar)
- Bowling For Columbine (2002, Michael Moore)
- Russian Ark (2002, Alexander Sokurov)
- Gangs of New York (2002, Martin Scorsese)
- City of God (2002, Fernando Meirelles)
- Good Bye Lenin! (2003, Wolfgang Becker)
- Aileen: Life and Death of a Serial Killer (2003, Nick Broomfield, Joan Churchill)
- Elephant (2003, Gus Van Sant)
- Osama (2003, Siddiq Barmak)
- Oldboy (2003, Park Chan-wook)
- Head On (2004, Fatih Akin)
- The Consequences of Love (2004, Paolo Sorrentino)
- Moolaadé (2004, Ousmane Sembene)
- Downfall (2004, Oliver Hirschbiegel)
- Tsotsi (2005, Gavin Hood)
- Brokeback Mountain (2005, Ang Lee)
- The Lives of Others (2006, Florian Henckel von Donnersmarck)
- Pan’s Labyrinth (2006, Guillermo del Toro)
- There Will Be Blood (2007, Paul Thomas Anderson)
- Paranormal Activity (2007, Oren Peli)
- Let the Right One In (2008, Tomas Alfredsson)
- The Dark Knight (2008, Christopher Nolan)
- The Hurt Locker (2008, Kathryn Bigelow)
- District 9 (2009, Neill Blomkamp)
- Avatar (2009, James Cameron)
- Nostalgia for the Light (2010, Patricio Guzman)
- Inception (2010, Christopher Nolan)
- The Social Network (2010, David Fincher)
- The Artist (2011, Michel Hazanavicius)
- The Cabin in the Woods (2012, Drew Goddard)
- Wadjda (2012, Haifaa Al-Mansour)
- Lincoln (2012, Steven Spielberg)
- The Great Beauty (2013, Paolo Sorrentino)
- Blue is the Warmest Colour (2013, Abdellatif Kechiche)
- Gravity (2013, Alfonso Cuaron)
- 12 Years a Slave (2013. Steve McQueen)
- Boyhood (2014, Richard Linklater)
- The Grand Budapest Hotel (2014, Wes Anderson)
- Birdman (2014, Alejandro Gonzalez Inarritu)
- Tangerine (2015, Sean Baker)
- Victoria (2015, Sebastian Schipper)
- Mad Max: Fury Road (2015, George Miller)
- Son of Saul (2015, Laszlo Nemes)
- Spotlight (2015, Tom McCarthy)
- Star Wars Episode VII: The Force Awakens (2015, J.J. Abrams)
- The Revenant (2015, Alejandro Gonzalez Inarritu)
- Under the Shadow (2016, Babak Anvari)
- Manchester by the Sea (2016, Kenneth Lonergan)
- The Jungle Book (2016, Jon Favreau)
- I, Daniel Blake (2016, Ken Loach)
- Toni Erdmann (2016, Maren Ade)
- Hell or High Water (2016, David Mackenzie)
- La La Land (2016, Damien Chazelle)
- Arrival (2016, Denis Villeneuve)
- Moonlight (2016, Barry Jenkins)
- Jackie (2016, Pablo Larrain)
- 13th (2016, Ava DuVernay)
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